Curled beneath my dining room table in the dark, I listen to a montage of news stories. The news — and accompanying music — centers on 18-month-old Jessica McClure who fell into a well in Midland, Texas. More than 30 years ago, the toddler, dubbed “Baby Jessica,” became trapped 22 feet below the surface. The nation prayed for Jessica, donated money to her family and watched hourly updates about her harrowing encounter. Jessica’s fall and 58-hour rescue is the inspiration behind WalkUpArts’ “Baby Jessica’s Well-Made Play,” an experimental, ambitious show that packs an emotional wallop. Hours after I participated in it, I was still thinking about it.
The interactive play is a five-act conversation about fear, hope, culture, and memory that begins the moment Jessica falls into the well. Due to COVID-19, instead of a stage, costumes, lighting and onlookers, “Baby Jessica’s Well-Made Play,” relies solely on the actor and the audience — an audience of one. The entire show by playwright and WalkUpArts co-founder Philip Santos Schaffer is performed for one person at a time over the phone. Taking place over two nights, the show includes audio, live performances and a mysterious fifth act. Read more.